It is almost an anti-thesis to the A section’s question or goal. The B section should be a completely different animal musically and lyrically. The A section can develop over the course of the song, but should be recognizable as being more or less the same melody. has some tips! AABAĪn AABA is traditionally a 32-bar song with an 8-bar ‘A’ section that is repeated two times, then an 8-bar B section, followed by another A section. A song’s structure helps to organize these ideas, and the way in which they’re expressed to the song’s audience. Both the music and the words of a song help to tell the story. This can be as simple or as detailed as the songwriter wants it to be. Sometimes more instruments are added or taken away depending on the context and structure of the song. It can change in rhythm when sections are repeated, but often will stay the same harmonically. The accompaniment exists underneath the melody line. Whether it a musical theatre number or a pop song, lyrics will inform the structure of the song. A hook is a line or so of lyric that is the main idea of the song. While lyrics can also be repeated, they have the ability to differ more from section to section. The melody collaborates with the lyric to help tell the story of the song. The same melody can be repeated throughout the song. So how do we write in different song structures? Well, first we must understand the basic elements that exist in all songs. These sections can be known as Verse, Chorus, or Bridge sections, or can also be known more simply as A and B sections. Most songs have at least two distinct sections which differ from each other both musically and lyrically. This is the way in which certain sections of a song are arranged and organized. A key part of the song-writing process is song structure.
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